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I understand what is going on, but still I love those pictures!
Jeff
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 Originally Posted by polyglot
this effect is still visible in current-model high-performance SLRs: you just need faster-moving subjects like propellers to make it visible.
edit: "Hi, Hoffy!"... I ain't stalking you, only noticed whose thread it was after I posted 
Howdy Poly. Nice to see you over here.
To be honest, I have never really noticed it with the props. I suppose when ever I have taken aviation pics, I have tried to blur the props, so you can't tell. I also suppose that you would just about need to be face on to get the same effect in that scenario (& of course, we are talking high performance current FILM slr's )
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of course we are Have you tried the 28-75/2.8 on your 7000 yet? Is it working as well as expected?
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No, I haven't!! When ever I have had a chance, its been horrible weather!
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This is very interesting stuff. I wouldn't mind trying the effect out for myself. Which model Graflex's have the slow moving slit-type shutter? Did they only make them certain years?
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Any of the focal plane shutter equipped graphics should do the job.
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 Originally Posted by nyoung
Any of the focal plane shutter equipped graphics should do the job.
Thanks, I've been thinking of a 4x5 for handheld stuff for a while, and one that would also add the possibility of this effect would be interesting.
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So this would also work (sorta?) on a modern 35mm slr, like a Canon AE-1P? Or would it not? It would depend more on the shutter speed (the width of the focal plane slit)? I sure dont fully understand this. Can you tell? Also, why is the front tire more exaggerated than the rear tire on the race car? Just wondering.
paulie
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Yes it would work with a 35mm SLR.
There is only one constant and that is that you must use a shutter that exposes the film via a slit/slot/window traveling vertically across the film plane.
Everything else is determined by the relationship between the shutter speed and the speed of the target.
To a degree, the effect comes from slow shutter relative to the target but if you get the shutter speed too slow, all you get is a blurry mess.
You would have to do some experimenting with different shutter speeds to find the sweet spot if you were trying for a deliberate effect.
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It was caused by the focal plane shutters in Speed Graphics. Due to the travel of the shutter, the top of the car would get a slightly earlier exposure than the bottom, resulting in the leaning effect.
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