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 Originally Posted by mfratt
We had a wonderful blizzard here in Boston the other night (I'm guessing the same one that many of you East Cost folk are referring to). Around midnight, I buttoned up my winter gear, threw my monorail over my shoulder and headed out. 5 hours and 12 sheets of film later, I got home with a sore back and icicles hanging from my eyebrows, but it was an amazing experience; well worth it.
Then again, I'm 21 years old 
To be slightly off-topic (as if the thread hasn't already wandered off), do you cover your camera with anything when you're out in the snow? I haven't done this myself more out of concern for the gear in bad weather than for myself. I'm about to go out now, though. Now it is sunny and I am hoping that the sidewalks on the Longfellow bridge have been cleared.
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 Originally Posted by Moopheus
To be slightly off-topic (as if the thread hasn't already wandered off), do you cover your camera with anything when you're out in the snow? I haven't done this myself more out of concern for the gear in bad weather than for myself. I'm about to go out now, though. Now it is sunny and I am hoping that the sidewalks on the Longfellow bridge have been cleared.
I just hold my camera "lens away from the snow" while being out in the storm so I don't have snow buildup on the filter/lens. I almost wiped out a couple times, so that is more a concern than snow/moisture. I have an ability to fall and save the (coffee,camera) at my body's potential expense.
Part of the appeal of a speed graphic is it's something cheap and functional for taking out in the snow. If I totally destroyed it, $200 could buy another, and that's the price of a single very cheap lens for 35mm. Chances are, nothing bad will happen to the speed from the weather as it's mostly pleather, vinyl, and aluminum.
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I do not like others to accompany when shooting as many times I will just sit in the environment, listening and looking before I start. How long is too long? If you come up with an answer then you probably haven't spent long enough. I usually stop when my feet hurt, or freezing, or no more film. How long do you wait for subject matter to evolve in one place? Sometimes it never happens. If accompanying me please bring a book "War and Peace" would be appropriate, and please don't talk to me, or ask to look at the ground glass and then say "Hey, it's upside down"
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 Originally Posted by Moopheus
To be slightly off-topic (as if the thread hasn't already wandered off), do you cover your camera with anything when you're out in the snow? I haven't done this myself more out of concern for the gear in bad weather than for myself. I'm about to go out now, though. Now it is sunny and I am hoping that the sidewalks on the Longfellow bridge have been cleared.
I was hesitant to take it out in the snow without protection, but I did anyway. I tried building a rainshell out of trashbags once, but that was too restrictive for my camera movements (probably my fault for making it too tight), so I wound up tearing it off halfway through the night. I was admittedly nervous when snow started building up around the lens, but when I got home I was just sure (as I always do whenever it gets slightly wet) to take everything apart and let it dry by the heater overnight. I don't think I'd do this if I had a more expensive lens, but I don't necessarily mind with my cheap Ilex.
The hardest part of actually shooting was keeping snow and ice from building up on the lens. Several exposures were ~10 minutes, so even though I'd clear it beforehand, halfway through the exposure it was building up. I found myself blowing on the lens to at least try to get the loose snow off. Haven't processed that film yet, so not sure if it had a negative effect or not.
The next day my shutter was acting a bit funky. I had to cock it, press the shutter release, then fiddle with the cocking lever to get the shutter to fire. A few hours later, it was fine (probably just still a little wet inside). I also had water inbetween my GG and Fresnel, but I just took them apart and let them dry.
I think the only real concern with getting these cameras wet would be (a) rust and (b) getting the inside of the bellows wet, where (at least on mine) it doesn't appear to be water-resistant. But, I think as long as you immediately dry it when you get home it should be fine. In the future, I plan on using a blow drier and a can of compressed air to dry it out before letting it sit overnight.
When I get my Crown Graphic, I think that and my Ilex 150mm will become my designated "poor weather" setup.
I hear their passionate music, and read the words that touch my heart. I gaze at the feverish picture, oh the secrets that set them apart. When I feel the powerful visions that their fire made alive, I wish I had that instinct, I wish I had that drive.
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 Originally Posted by Christopher Walrath
Snow photography is for the young and the touched-in-the-head.
Just 'cause you can't do it? 
Just the fact that I'm an LFer probably qualifies me as crazy. So be it. I don't do it to conform to anyone else's idea of normal -- I do it because it's fun!
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I love the effect snow has when it builds up on the side of things like that. I think your second photo is the strongest, but they're all really nice. Can't wait to get around to processing what I've shot (need to buy some more chemistry).
I hear their passionate music, and read the words that touch my heart. I gaze at the feverish picture, oh the secrets that set them apart. When I feel the powerful visions that their fire made alive, I wish I had that instinct, I wish I had that drive.
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