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  1. #1
    Ken Nadvornick's Avatar
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    Google Street View: Moonrise, Hernandez, NM

    Jeez, Ken's got way too much time on his hands tonight...

    AA's tripod location for Moonrise in Google Street View.

    Click image for larger version. 

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    Ken
    "When making a portrait, my approach is quite the same as when I am portraying a rock. I do not wish to impose my personality upon the sitter, but, keeping myself open to receive reactions from his own special ego, record this with nothing added: except of course when I am working professionally, when money enters in,—then for a price, I become a liar..."

    — Edward Weston, Daybooks, Vol. II, February 2, 1932

  2. #2
    Kevin Caulfield's Avatar
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    Yes, he has. But thanks for taking the time. It's interesting to see what it looks like today.

  3. #3

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    Hmm.
    Local development hasn't exactly made it more beautiful since he stood there doing luminance calculations in his head, has it?

  4. #4

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    Good illustration for the notion that if you see a great shot, grab it as soon you can.

  5. #5
    Tony Egan's Avatar
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    Been there, done that and dodged the rabid dogs trying to get to a higher elevation to get a better view of the church.
    http://www.tonyeganphotography.com/index.html
    "Those are my principles, and if you don't like them... well, I have others." Groucho Marx

  6. #6

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    Ken,

    I and my family have been there a few times in the last twenty-odd years. The big expressway 285 is a relatively recent artifact. Just to the West of the highway there used to be a frontage road that was the actual highway from the 40s. I remember standing on parts of it, seeing sections here and there of the road and painted lane lines as the desert reclaimed its own. There was a small business, a shack really, along the old road that sold place mat things touting Hernandez's place in history because of that photograph. The last time we visited and went by there we couldn't find it, and they might have taken the last of the frontage to widen 285 to what you see today. It has definitely gotten more elaborate. I have some sun-bleached silk flowers from that cemetery (from it's trash pile) in my darkroom. I always tell myself that one day I'll get a bouquet from there, auction it on ebay and donate all the money to APUG. Like bones of a saint, and an interesting experiment in sociology.

    Standing on that frontage road was a good thought exercise, the wisdom of asking people to stop changing so we can keep a particular scene unchanged for (in this case) future photographers. Future tourists of any stripe. Ourselves. Admittedly, that highway lacks any grace at all but it works for them and I'm glad they have it. I do wish I had photographed that little store and its place mats though; like the place mats with the mushroom cloud that (Robert Frank? Winogrand?) took. So now my first rule is 'There's no real coming back. Get the shot'.
    I photograph things to see what things look like photographed.
    - Garry Winogrand

  7. #7
    Ken Nadvornick's Avatar
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    Well, Thomas Wolfe was right, of course. But I would enjoy visiting this place in person to do just as you did. Simply stand there. I would never reach for a camera. Never. Nor would I expect to be struck by a bolt of AA lightening that would forever improve my compositions or printing skills.

    No, it would really not be about the three holes in the ground. It would be more about quietly gaining some historical perspective of the medium. No one can even begin to anticipate where they want to go until they understand where they have been. There is no worse advice than, "Never look back."

    Ken
    "When making a portrait, my approach is quite the same as when I am portraying a rock. I do not wish to impose my personality upon the sitter, but, keeping myself open to receive reactions from his own special ego, record this with nothing added: except of course when I am working professionally, when money enters in,—then for a price, I become a liar..."

    — Edward Weston, Daybooks, Vol. II, February 2, 1932



 

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