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Filming for Olympic opening
I watched some of the filming for the UK Olympic opening last night, which was entertaining, if not completely OTT and I am not complaining about the brilliant way it was done. However, I couldn’t help wonder if someone like Andrei Tarkovsky had been asked to handle this event, how he may have done it. Any thoughts?
“The contemplation of things as they are, without error or confusion, without substitution or imposture, is in itself a nobler thing than a whole harvest of invention”
Francis Bacon
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I really admire his films, in particular "Andrej Rubljow" and "Stalker". For me it is a wide stretch to connect them to the Olympic opening - but I am sure it would have been a very, very different film - and much more slow and intense. Heinz
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Dark and foggy with water dripping the whole time. Maybe not so festive, eh?
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 Originally Posted by Heinz
I really admire his films, in particular "Andrej Rubljow" and "Stalker". For me it is a wide stretch to connect them to the Olympic opening - but I am sure it would have been a very, very different film - and much more slow and intense. Heinz
Stalker for me is the best film ever. He strikes me as a still photographer applying motion to make moving film. To me he is the HCB of cinematography.
“The contemplation of things as they are, without error or confusion, without substitution or imposture, is in itself a nobler thing than a whole harvest of invention”
Francis Bacon
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I wondered who were the director of early color football worldcups ? There was long long running footballer shoes and legs which recorded with teleobjective and make you believe cameraman was running with them. These 60s Leica glass , orange black anatomic shots. I found that muscle , skin drapery , dark and information loaded grainy shots at Beijing after loss of that quality with new digital technology for 40 years. I love Karajan records with Berlin Philarmoniker were amazing.
I think Tarkovsky would direct everything Poetically , close ups would be more and he would photograph the scene with LOMO Square Front Anamorphic Lenses and colors would be lyrical. More brave , I think.
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Tarkovsky would've said, "I don't do that commercial hired gun @#$*. Now, if you will excuse me, I will get back to making my deeply personal films that I can do any way I want to without regard for audience expectations."
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Tarkovsky , his fathers poems and Artemyevs music were all of my expectations , including the actors and actresses , cameramen , lighting men , decor costume guys and the ultra high quality processing at Mosfilm. More interestingly , if Eisenstein had lived longer and Stalin ordered him to record Moscow Olympiads , what would be the result. He would not cry like Tarkovsky with anti Soviet feelings and do the best. Think if Rodchenko was the cameraman ... wow.
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Yeah, the great soviet art house filmmaker - I bet he would have had some insights into British heritage and culture! Kurosawa as a second option maybe?
If we're talking about that era, Hitchcock would have been a little more relevant don't you think?
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Michael Powell and Emeric Pressburger's style seems about right.
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