Originally Posted by Silverpixels5
I agree. During the last year I printed negs that I had never printed but were exposed almost twenty years ago.
Furthermore to the others who have responded, I hope that I didn't give the impression that I am some person doing the motor drive/35 mm approach toward indiscriminate photography in my commitment. I expose film only on the basis that the images are worthy of exposure.
Originally Posted by Donald Miller
Don I want to commend you for your commitment! I just rearranged my school schedule so I would have weekends (starting Friday at noon) free for the rest of the semester so I can pursue more photography. I don't think I'll be up to 5 sheets/day, but I do have 50 sheets at home waiting development and I plan to keep shooting and shooting and shooting (and developing, just picked up the sodium carbonate yesterday to make my B solution of pyrocat so I can get to work on souping).
Let's see what I've got in the magic trash can for Mateo!
that's great don.
i can't say that i can keep up with
5 sheets a day, but since december, i
have started bringing a camera with me (on my person) every day.
i can't say that every exposure i make is perfect or worthy of making into
a print, but it keeps my mind and my eye atune to what is around me, even the mundane things i take for granted and have seen every day for the past 6 years.
good luck with your project!
I'd like to have one sheet for every five that you expose...Holy silver halide! That's gonna run a few clams!
Originally Posted by Donald Miller
More power to ya Donald! I wish I was in a position to do so...
Donald I think your plan has some real merit to it. To me the most important commitment we can make is to work thru our own processes over and over again. Even with variations on themselves. For example instead of the LF take a 35mm one day then a pano the next. Experiment inside your viewpoint, shooting film all along. even if you don't nail the "ultimate image" each time you are excersizing. Every day is a new day . The conditions are always different so even if you take the same cameras and film to the same location at the same time each day for a month all your exporsures wil have subtle to extreem variation. No 2 will be the same. So with your commitment You really cannot "FAIL" Go Get It!!! (whatever "it" is)
Stop trying to get into my mind, There is nothing there!
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Edward Weston did something similar - Charis writes about it in, IIRC, Through Another Lens. Again, IIRC, he had the theory that he could simplify his process and make it almost automatic, freeing him to rapidly pursue images. She writes about him sometimes making 15-20 images per day.
I made a commitment last fall to do something photographically every day - shoot, print, file, go to an exhibit. I've been amazed at how much I've been able to get done.
I like this thread. In some ways it's almost too easy: I think about photography every day! I am totally into setting parameters and limitations for myself and my work. Some of my commitments, as a 35mm F6 shootist:
Shoot with ONE focal length for an extended period of time. Right now I am six months or so into shooting with just the 50mm focal, even though I ache and yearn for other lenses. I'm hoping to go for one year (next October).
NO ZOOMS. When I do finally shoot other focal lengths, they will be select. Three primes, mastery of each. Perhaps for my next year I'll shoot only with 24mm. Doing this for paid event coverage would be a REAL challenge for me!
NO FLASH. Maximum understanding, respect, and use of available light.
Make exposures as though I am shooting medium format or any larger format. This one is more challenging, especially when covering events.
This obviously means no use of Continuous shoot mode. Less is more.
I am heading for a prohibition of AF and AE very soon I think, for some extended period of time. Much more challenging than the above.
Carry a camera with me always, day job hours being the exception. Right now, I have only the F6, not the easiest camera to put into my pants pocket. Will work on this one somehow.
Social photography and the bravery of public or "street" shooting is going to be one of my next big hurdles.
Pretty pedestrian commitments for many of you veterans I'm sure, but hey, I'm rather new to this craft.
Donald,I just read your posting, and think it's a very interesting, and thought provoking idea that real excites me, I would love to pass on to young people as much as I can about traditional photography to try promote it's long term survival. I meet on a regular basis a lot of photographic friends who are all into film , I'm going to talk to them about this idea at our next meeting, several of them are teachers or a couple of them are retired head teachers, and will probably have some ideas how to proceed to bring this about.
The more I think about the idea the more I like it,I have had so much pleasure in the fifty years I have been interested in photography I would like to give something back.
We try to get our workshop students to do the One A Day exercise:
Each day, make the time to go make one, and only one, exposure. Take your time and make it the best that you can do. Try to do it at different times of day, in different places, in different light. But be disciplined and make one each and every day.
This one exposure is over-and-above any other photography you may do that day, and any other photography doesn't count as your one for that day. It must be a specific, conscious exercise.
When you process and proof them, look hard at each one. How could it be better? Go make it again and improved, if you want, but not as a one-a-day.
Then, make a project for yourself that at the end of one year, you'll hang a show of your 15 best one-a-days. We have a local bagel shop that hangs stuff by local photographers. My friend Richard Ritter hung a show in a gallery of his one-a-days.
I guarantee that if you hold to the discipline of trying to see photographically each and every day, your photographs will improve dramatically.
Speaking from experience, holding to the discipline is really hard. But worth it.
my plan is to do something "photographic" every single day. i got hurt at work a few years ago, and now face a second surgery with a fairly lengthy recovery time. since i have nothing else to do (besides collect workers comp benefits and go to the doctor's office), i've been more creatve with my work. yesterday for example, i worked on my website and caught up on developing ALL of my film that was waiting to be done. today, i have 15 rolls of negatives hanging in my darkroom. going out this morning to check on them felt great.
today, i plan on making a few prints, experimenting with halo chrome (again) and maybe even going to the store and picking up some gold toner.
when there are days when i'm busy with appointments, i'll take along a camera, be it 35mm or, oh no, my leica d-lux 2, since it can fit in my pocket.
there are plenty of ways to make it affordable. freestyle has great deals on arista brand for poor folks like myself.
maybe not everyone can do something EVERY day, but try. it takes a few minutes to develop that roll of 35mm, so why not get up 15 minutes earlier and do it before work.