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  1. #21
    AgX
    AgX is offline

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    Quote Originally Posted by Michael W View Post
    He made three B&W exposures through Red, Green & Blue filters & then combined them by projecting through complementary filters.
    For projection of colour separations you need filters of the same colours.

  2. #22

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    Quote Originally Posted by MattKing View Post
    Until recently, Jeff Wall was one of the largest users of Ilfochrome in the world.

    Most of his iconic work is shot on film and was printed optically on to Ilfochrome materials.
    Matt, what about his post-1992 work? Almost all of his Ilfochrome lightboxes since "A Sudden Gust of Wind" were digital collages of many shots. Do you happen to know how exactly were these printed onto Ilfochrome? Was it output via LVT to 8x10 film?

  3. #23

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    Jeff Mermelstein though he's not to everyone's tastes.

  4. #24
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    Fred Herzog

  5. #25
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    Quote Originally Posted by darkroom_rookie View Post
    Matt, what about his post-1992 work? Almost all of his Ilfochrome lightboxes since "A Sudden Gust of Wind" were digital collages of many shots. Do you happen to know how exactly were these printed onto Ilfochrome? Was it output via LVT to 8x10 film?
    I'm afraid I don't know the answer to your question.
    Matt

    “Photography is a complex and fluid medium, and its many factors are not applied in simple sequence. Rather, the process may be likened to the art of the juggler in keeping many balls in the air at one time!”

    Ansel Adams, from the introduction to The Negative - The New Ansel Adams Photography Series / Book 2

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