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First Azo Prints
Today was the big day... I had developed the film 2 weeks ago but circumstances prevented me from printing last week and earlier this week (damn job!), so today I headed into the darkroom with chemicals, printing frame, negatives, 300 watt lamp and a box each of Grade 2 and Grade 3 8x10 Azo.
The first order of business was setting up the printing area. I figured a way to attach the lamp housing onto one of the enlargers so that I could adjust the height as I needed. Screwed in the bulb, plugged it in and turned it on. Light! Great! Turned it off, got out the printing frame so I could mark the center of illumination, turned the lamp back on.... POP! One dead $25 floodlight bulb that had lasted all of 10 seconds & one decidedly not happy photographer.
So, off to Home Depot to see what kind of replacement I could get on short notice. I already knew they didn't have 300 watt R40's as I'd looked before I'd mail-ordered the first one. The best I could do was a 120 watt R40, so I figured I'd make do. Back to the darkroom, test the lamp... no problems. Sigh of relief from photographer.
Into the sink room to mix my developer, etc. No problems there except for nice black stains on my left hand because I forgot to put on gloves before opening the amidol. Hopefully it will wear off in a few days. Then finally I was ready to print!
I already knew that most of my negs were thinner than recommended for Azo printing, but figured with the lower wattage bulb they might be workable. I pulled the densest of my negs and got set up... now I came to a quandry... how long an exposure? I'm doing this totally on my own with no expert advice handy to look at my neg and say 'Hmmm try XX seconds on that one', so I just guessed blindly. 'I'll try 30 seconds and see what we get'. So 30 seconds of exposure and then into the dev... An image appears, it works! 1 minute in the dev, into the stop, into the fix... after 2 minutes in the fix I turn on the overhead and behold! My first Azo print! 30 seconds wasn't a bad guess but I did 2 more of that neg at 20 and 45 seconds to see how they look tomorrow morning when they're dry.
I worked through 5 negs and 13 prints with exposures ranging from 30 seconds to 3 seconds. The 150 watt lamp turned out to be just fine (I guess even my dense negs aren't dense enough). I'll try to scan a couple of the best to post tomorrow after I press them.
Yippee!
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Congratulations Benno! Hope your romance with Azo continues!
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 Originally Posted by bennoj
The best I could do was a 120 watt R40, so I figured I'd make do. ............ The 150 watt lamp turned out to be just fine (I guess even my dense negs aren't dense enough). I'll try to scan a couple of the best to post tomorrow after I press them. Yippee!
Same experience here, same bulb (lamp), same times. I've searched everywhere on the web that I can think of to find the temperature (K) ratings of R40 bulbs - can't find it, but.......I have a feeling that the 120watt probably runs in the 2500-3000K area and the 300watt runs in the 3500-4000K area??? So even though it's a "hotter/brighter" bulb, the 300 watt may require a longer exposure time due to it operating at a higher frequency. No-one around here stocks R40-300watt bulbs.
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I started out printing on Azo with a 150W bulb because it was all I could get locally...and I haven't bothered looking for anything else. Even with my densest negatives (and I've gotten some great, long-scale negatives using Efke100 and Pyrocat-HD) the 150W works just fine.
Even if the move to a 300W bulb would cut my printing times in half, it's not like the printing time is the majority of the time that I work with this process. I've never had to print for longer than 45 seconds...the time in the developer is longer than that. Besides, longer printing times mean more leisurely dodging and burning.
Congratulations on your first Azo work. One warning (although it's too late now): the stuff's addictive.
Film is cheap. Opportunities are priceless.
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If you know where to find the lamps can you guys let me know
Thanks
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 Originally Posted by castilg
If you know where to find the lamps can you guys let me know
Thanks
I've posted it what seems like millions of times both here and on the Azo forum. I can't imagine why these things are so hard to find. I've obtained security clearances with less bother than getting one of these damned lamps. Go to Grainger.com and do a keyword search on '2V411'.
BTW, if your Azo is the new stuff (i.e. not made in Rochester) you'll need at least 1-1/2 minutes in the Amidol. I give mine two minutes. I sure miss that 1 minute grade 2.
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Thanks I guess we are a bit optuse at times
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Ok, 5 prints attached here if I did it correctly... All in all I'm pretty happy for my first time with new paper, new chemicals, etc. A couple of the prints have reddish spots on the back. Not enough wash? Any suggestions? I'm following Michael & Paula's workflow as described on their website, but had to skimp a bit on the wash times they recommend as the owner of the darkroom I'm working in only lets me final wash for 15 minutes (water rates are high as we didn't have much rain/snow this winter).
The images are not the greatest in the world (boring to me as I've shot these scenes many times, but they make for good references when starting a new process as I have an idea as to how they should look), but comments are welcome.
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are you using hypo to help cut down the wash time?
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 Originally Posted by castilg
are you using hypo to help cut down the wash time?
Do you mean hypo clearing agent?
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