Switch to English Language Passer en langue française Omschakelen naar Nederlandse Taal Wechseln Sie zu deutschen Sprache Passa alla lingua italiana
Members: 70,212   Posts: 1,532,082   Online: 1236
      
Results 1 to 3 of 3
  1. #1
    msbarnes's Avatar
    Join Date
    Jul 2011
    Shooter
    Multi Format
    Posts
    381
    Images
    7

    Patrick Demarchelier lighting

    http://agent-lee.blogspot.com/2010/0...y-patrick.html

    How does he do his lighting? I have no experience with lights so i can't really decipher these things. I'm interested into getting into strobes and i love his lighting so I figured that striving for something similar would help (well but with lower end stuff ofcourse). Any suggestions, ideas, guesses? It looks very simple and soft.

  2. #2

    Join Date
    Oct 2005
    Location
    Westminster, Maryland, USA
    Shooter
    8x10 Format
    Posts
    1,504
    depends on which image you are seeing. Some are the ambient light of the scene, may be with a reflector. Other's are punched with light his lighting crew delivered, whether strobe or hot light. When he does add his own lights, it is usually very near the camera so the cast shadow isn't very visible to the lens. The bottom line is to get the "Simple" takes a lot of care and hard work. You can do the same with the modern LED light banks, too.
    When I grow up, I want to be a photographer.

    http://www.walterpcalahan.com/Photography/index.html

  3. #3
    ParkerSmithPhoto's Avatar
    Join Date
    Jan 2010
    Location
    Atlanta, GA
    Shooter
    Medium Format
    Posts
    797
    Images
    6
    Most of those look like axis light that is very expertly balanced with the ambient, either the lights on the street or a cafe, or the overcast sky.

    Axis light can be very beautiful if used correctly. In fact, most of the time you shouldn't really notice it, such as in the first image outdoors with the feather hat. If your ambient light is f8, and you set the strobe to give you one to two stops less light, you get a very subtle fill and sparkle (especially with dark fabrics) that is very hard to spot. It's much like toning, it can be so subtle that without a comparison print, you wouldn't be able to tell. In the case of that image, it will also serve to keep the eyes from going "raccoon." Zoom in and look at the very soft shadow under the chin; open shade would not give you that look.

    A great thing to do is find some overcast light, shoot one without flash, then add in balanced, one stop under and two stops under. So if your ambient is f11, then set the flash to give you f11, f8 and f5.6. Compare these frames. You'll find balanced flash is generally kind of ugly, one stop under is getting nice, but still noticeable, and two stops under will give you just a subtle lift and a touch of sparkle in the eyes. It's best if the flash is in fact right above the lens rather than to the side.

    Same thing indoors. You need an ambient exposure where you really feel the lamps, such as in the fourth image; look at the hair and how it is a touch over exposed; that's what I mean by feeling it. Say that is 1/2 second at f5.6, your flash can be at f4 and you should be right on.

    If you learn how to use professional lighting, you will be better than most photographers by a mile.

    (By the way, this has been my 400th post!)
    Last edited by ParkerSmithPhoto; 11-17-2012 at 03:16 PM. Click to view previous post history.
    Parker Smith Photography, Inc.
    Atlanta, GA

    Commercial & Fine Art Photography
    Portrait Photography



 

APUG PARTNERS EQUALLY FUNDING OUR COMMUNITY:



Contact Us  |  Support Us!  |  Advertise  |  Site Terms  |  Archive  —   Search  |  Mobile Device Access  |  RSS  |  Facebook  |  Linkedin