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 Originally Posted by David A. Goldfarb
I've been using a Minolta Flashmeter III for years. Haven't found any reason to upgrade to a newer meter, which would only add features that aren't really necessary (averaging, memory, etc.).
I couldn't agree more. It's a really reliable workhorse.
Best,
rory
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Another vote for the Minolta Flashmeter III. I've had mine at least 20 years, and it's never failed me.
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It doesn't seem to get such a wide press, but I have been using a Polaris for years - ambient, reflected, - existing light & EV mode and flash - manual and triggered, You can get a spot meter attachment for it, & can calibrate it up or down a couple of stops if need be.
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I don't know if they're still available but, the Gossen Luna Pro digital F is a nice, reliable and compact meter that goes both ways (incident or reflected, flash or not).
I've also got one of the old analog Luna Pro F meters...nice. Has all the little Zone System markings and everything else right on the dial computer thingy...but it is a bit chunky by comparison.
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I bought the Polaris SPD100 about 3 years ago as that was the cheapest digital meter I could find. See http://www.bhphotovideo.com/c/produc...tal_Meter.html
The user manual can be found here: http://66.49.230.119/flashes_meters/polaris_flash.pdf
It does incandecent, reflective and flash metering. It's compact, easy to use, accurate and it still runs on the first AA battery. Highly recommended.
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Another vote for the Polaris. It's my main meter that I compare everything else against. Does reflective, ambient, flash and multiple flash.
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Sekonic for ease of use, accuracy and value.
[FONT=Comic Sans MS]Films NOT Dead - Just getting fixed![/FONT]
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I use a Sekonic 718. I believe this meter was discontinued a couple of years ago but you can still find them new sometimes. It is a simple, straightforward incident meter with a rotating head making it easy to place. It will work corded or cordless. Mine has been utterly reliable for years.
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Exposure Meter Advice
After all these years, it has finally happened - My Gossen Ultra Pro meter has finally gone erratic (see Note 1). It is the one piece of equipment that is not "back-upped", other than the possibility of using my Olympus OM-4 metering system ... which, to tell the truth, I think is a superior system, saving the inability to meter "flash".
I've searched, diligently, to find a repair shop, to work on the Ultra Pro. Apparently, the classic idea that, if a repair equals 1/3 or 30% of the cost of replacement, it is better to replace with new, is widely recognized ... most flat-rate estimates of repair exceed those numbers - easily. I have not received answers from all my inquiries yet - and any advice regarding a good, reliable repair shop, will be GREATLY appreciated!
In the meantime, back at the Ranch...
It is time to "back up"! I've given a LOT of thought to my modus operandi, and what bells and whistles were, and were not used/ useful. I work - a LOT - with studio flash, so "flash capability" is a must. I've rarely (can't think of once) employ multiple "pops". "Ratios" - I invariably will make a Polaroid as a final test of a lighting set-up. "Spot metering" - a definite consideration out of the studio - but in practice, again, rare.
I've researched many - one thing is sure - there IS such a thing as "overkill". I have NO idea why I would want the USB interface to my PC, as afforded by the Sekonic 758 series ... to do WHAT??? Something about modification of sensitivity curves to match the response of d*****l camera sensors?
I don't HAVE d******l sensors, nor do I need remote triggering - plugging the synch cable into the meter has worked FINE.
Soooo ...
I am one nanosecond, and one micrometer away from springing for a Sekonic 308S. Simple, reportedly reliable and accurate.
Anyone have any comments/ information/ experiences with this puppy? I will be listening, intently, to ALL.
Note 1: "Erratic" = bad. OTOH - "Erotic" - well ...l
Carpe erratum!!
Ed Sukach, FFP.
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 Originally Posted by Ed Sukach
After all these years, it has finally happened - My Gossen Ultra Pro meter has finally gone erratic (see Note 1). It is the one piece of equipment that is not "back-upped", other than the possibility of using my Olympus OM-4 metering system ... which, to tell the truth, I think is a superior system, saving the inability to meter "flash".
I've searched, diligently, to find a repair shop, to work on the Ultra Pro. Apparently, the classic idea that, if a repair equals 1/3 or 30% of the cost of replacement, it is better to replace with new, is widely recognized ... most flat-rate estimates of repair exceed those numbers - easily. I have not received answers from all my inquiries yet - and any advice regarding a good, reliable repair shop, will be GREATLY appreciated!
In the meantime, back at the Ranch...
It is time to "back up"! I've given a LOT of thought to my modus operandi, and what bells and whistles were, and were not used/ useful. I work - a LOT - with studio flash, so "flash capability" is a must. I've rarely (can't think of once) employ multiple "pops". "Ratios" - I invariably will make a Polaroid as a final test of a lighting set-up. "Spot metering" - a definite consideration out of the studio - but in practice, again, rare.
I've researched many - one thing is sure - there IS such a thing as "overkill". I have NO idea why I would want the USB interface to my PC, as afforded by the Sekonic 758 series ... to do WHAT??? Something about modification of sensitivity curves to match the response of d*****l camera sensors?
I don't HAVE d******l sensors, nor do I need remote triggering - plugging the synch cable into the meter has worked FINE.
Soooo ...
I am one nanosecond, and one micrometer away from springing for a Sekonic 308S. Simple, reportedly reliable and accurate.
Anyone have any comments/ information/ experiences with this puppy? I will be listening, intently, to ALL.
Note 1: "Erratic" = bad. OTOH - "Erotic" - well ...l
It's right up the alley I'm looking at... except... I prefer a larger dome (don't say it!!)
The reason I like a bigger dome is when metering outside I have learned to read allot about the ratio and the exposure I choose based on not only the meter reading, but on the way the light falls ont the dome, i.e., I can see that I am metering against the light, for example, and the reading is biased because of a little hot hit comming from the back left, which I may or may not disregard, and I might move the meter to add more or less and see how things change in the overall incedent reading.
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