I'm a fan of hot lights. I find focusing on the ground glass tough with the strobe modeling lights tough. My favorite hot lights are Mini Moles. Lowell Tota lights are nice for lighting broad areas. You will probably need saw horses for your table top.
Clip lights are your friend. Get normal size ones and heavy duty 300 watt versions. It'll set you back no more than $50 for a set. You want extension cords and chairs or stands to clip them on. Use a big 300 watt one and bounce. Your biggest concern is getting even light, as you can leave the shutter open. If you need to shoot color stick an 85A or whatever over the lens and shoot tungsten lights.
As you don't have lighting, the problem will probably be with shadow detail. Take some silver cards and mirrors and some white cards to bounce light with. Considering you are going to photograph stuff at a bar, take some silver card you can cut into small pieces and put them behind glasses of beer or wine to catch light and light up the drink.
Really good professional table top lighting or food photography lighting is master class stuff. Good luck.
The first and only time I did a tabletop shot was with food and wine as part of the subject. I don't think we used silver card, but it was something used in the manner you describe to catch light on the wine glass and bottle.
Originally Posted by dpurdy
Turned out as a really beautiful shot in B&W - but I had a pro showing me the tricks and we had a soft box and strobe.
I just may have to pass on this one
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And a copy of Advertising Photography, by Allyn Salomon.
There is a chapter that covers photography by Gary Perweiler.
Gary Was My Hero, when I was a youngster ...
I spent almost a year renovating his Manhattan residence
while I was going through my carpentry phase of life !
I read it until it was raggedy then, and I still enjoy it now.
If you are shooting food, there is a lot to learn. Food photography is an art in itself, and if you want to see how it shouldn't be done, look at any pictures of the food at your local mall food court. Most food in photographs aren't made of anything that it is supposed to look like. They are clever props to make the food look more appetizing than reality. Equipment wise, 2-3 strobes with the option of soft boxes and some white cards for fill and black cards to block light. After that, practice, practice, practice.
Here's another lighting idea. When I was assisting tabletop photographers many, many moons ago, the rage was painting with light. Aaron Jones started the craze with a gizmo called Hosemaster. It's a bright tungsten light with fiber optics. I'm sure today with cheap LED flash lights you use them to paint light. Here's a link. http://www.repertoireart.com/news_vi...ends/jones.htm
Best of luck.
Don't forget the food stylist
There are the food stylist that do all that food puffery. Some foods after being shot you don't want to eat. Stylist use hydrochloric acid to make steam, and glycerin to make foods glisten. A lot of trickery. I think there a more natural look in today's food photography which I like more than the highly primped product shot.
Originally Posted by Greg Davis
from time to time i was asked to do this type of work
for magazines that were doing articles on restaurants ...
it was never easy, but a lot of fun
( and the food / drinks were always to die for ! )
there was never a stylist or anything over the top,
just me, who showed up with a camera and lights ( or a flash )
and a macro lens ...
look at magazines that cater to the food and restaurant industry
and get some ideas on what you can do, and as greg suggests, remember
the mall and what not to do ...
have fun !