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  1. #11
    Rol_Lei Nut's Avatar
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    Quote Originally Posted by Janos View Post
    Yes! The Plaubel Makina. Different, beautiful, with Nikkor optics.
    But reputedly unreliable and difficult (impossible) to repair... :-(
    M6, SL, SL2, R5, P6x7, SL3003, SL35-E, F, F2, FM, FE-2, Varex IIa

  2. #12

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    Quote Originally Posted by cstorm View Post
    I am very interested in upping my game with a medium format camera. The perfect camera would be a rangefinder (less massive) which creates a 6x7 or 6x9 negative and has a built-in light meter (still don't trust myself enough with an external one).

    Thanks!
    I had the Mamiya 7 but found using a hand-held meter to be much better then the Mamiya's internal meter.

  3. #13

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    Quote Originally Posted by Rol_Lei Nut View Post
    But reputedly unreliable and difficult (impossible) to repair... :-(
    I've shot with my 670 for 15 years. Probably put close to 2000 rolls through it before I smashed the top cap of the camera. The good folks at Nippon fixed it with the top half of a parts camera. Cost me $550. Probably one of my favorite cameras ever. Super accurate spot meter. I think it got the reputation you echo mostly due to all the ham-fisted photographers who collapsed the lens too vigorously as my experience proves that it is a great user camera.

  4. #14

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    You're really tying your hands with the meter requirement. The Fuji GW670II was my last MF camera to go (I'm 100% 35mm now, but that Fuji was amazing. Just make sure to have the film advance looked at now and then.), but I don't recall whether or not it had a meter. I don't think it did. There's no "trusting yourself" - a built-in meter is prone to being fooled, as you still have to judge the tone it is reading and compensate. No difference in use. I'd pick up a used spot meter.

    Unfortunately, MF is not like 35mm, which has a bazillion cameras out there with every feature and configuration imaginable. You kinda have to deal with what they make available.

  5. #15
    2F/2F's Avatar
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    Since built-in light meters will not give you an ideal normal exposure in 90% of compositions (not even when pointed at a grey card, as you must open up 1/2 stop from the grey card reading to get an ideal normal exposure), why is that a criterion?

    Using a hand held light meter well would not only give you an ideal exposure every time, but would open up tons of options for cameras.

    What to suggest really depends on your budget. Fuji has made some nice 6x7, 6x8, and 6x9 rangefinders.

    I am a fan of the Mamiya Press system and 2x3 Graphics and Linhofs myself...but no meters.
    2F/2F

    "Truth and love are my law and worship. Form and conscience are my manifestation and guide. Nature and peace are my shelter and companions. Order is my attitude. Beauty and perfection are my attack."

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  6. #16

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    And until you've actually picked up a Fuji 6x9 rangefinder, hold off judgment on the "less massive" idea.

    I second the meter replies.. Forget internal meters for film MF. Except for the convenience factor, they will always be less accurate in anything but spot mode, because in-camera meters are ALL reflective-reading meters, and few metered MF's even have a spot mode. If you plan to learn to effectively use spot metering, you might as well also have the benefit of an accurate incident/spot meter like one of the late model Sekonics that do it all in one package. Having hauled around a Luna Pro F and a separate Soligor spot meter for years, I just bought a Sekonic L-608, and I really like it. I'm sorry I didn't get one years ago.

  7. #17
    Rol_Lei Nut's Avatar
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    Plaubel Makina 67

    Quote Originally Posted by frotog View Post
    I've shot with my 670 for 15 years. Probably put close to 2000 rolls through it before I smashed the top cap of the camera. The good folks at Nippon fixed it with the top half of a parts camera. Cost me $550. Probably one of my favorite cameras ever. Super accurate spot meter. I think it got the reputation you echo mostly due to all the ham-fisted photographers who collapsed the lens too vigorously as my experience proves that it is a great user camera.
    Hi,

    Does "Nippon" still exist? When was the repair carried out?

    I was very interested in the Makina 67, but some research seemed to point out that spending a lot on it was a poor decision...
    IIRC, the main complaint was the wiring/circuit board breaking where it flexed when the camera was folded and was apparently (practically) impossible to repair.

    Again, I was extremely interested in the camera (especally the "W" model), but hints of unreparability due to lack of original parts (on a fairly rare camera - hence it's unlikely any parts cameras might be available) make me extremely wary...
    M6, SL, SL2, R5, P6x7, SL3003, SL35-E, F, F2, FM, FE-2, Varex IIa

  8. #18

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    Nippon photo clinic in nyc is the best repair shop for Plaubel Makinas. I've never had any problems with the light meter on my 670. It's very accurate. Readings are identical to my Sekonic variable spot meter in its widest (5 degree?) mode. I honestly believe that all the electrical problems reported in various forums are the result of knuckleheads opening and closing the lens as if it were a switch blade. I'll admit that the temptation to do this is great as the design is so stealthy cool and the lens clicking into position is satisfying indeed. I've never shot with the 67W but the Nikkor 2.8 80mm is razor sharp.

  9. #19

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    ...Oh yeah...my repair was done about 1-1/2 years ago. Nippon is really good at maintaining a stock of spare parts.

  10. #20

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    Nippon fixed my GW670's film advance a few years back. I've used them for a Contax repair as well, and they are pretty great!



 

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