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  1. #21
    Eric Rose's Avatar
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    ya a reproduction of one of the classic Voigtlander folders!!! I'm drooling just thinking about it. 6x7 or 6x9 format, nice sharp contrasty lens ......ummmmmmm
    www.ericrose.com
    yourbaddog.com

    "civility is not a sign of weakness" JFK

    "The Dude abides" - the Dude

  2. #22
    David R Munson's Avatar
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    Quote Originally Posted by photomc
    Now if Bessa would bring out a MF camera....
    If they had a bunch of sweet, fast primes, I'd be all over it.

  3. #23

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    I just bought one of the closeout Bessa T's from Cameraquest, although have yet to receive it. At $185, how can one go wrong? It'll be the perfect body to keep the C/V 15mm and 21mm on. A 120 Bessa R would be OK with me too, especially if it had a Mamiya 7 mount.

  4. #24

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    Quote Originally Posted by Jan Brittenson
    I just bought one of the closeout Bessa T's from Cameraquest, although have yet to receive it. At $185, how can one go wrong? It'll be the perfect body to keep the C/V 15mm and 21mm on. A 120 Bessa R would be OK with me too, especially if it had a Mamiya 7 mount.
    Would like to hear how it goes Jan. all the best, JohnMcC

  5. #25
    tony lockerbie's Avatar
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    Hi Sean, I have a Bessa R and an L with 25, 15, 35, 50 and an old canon 85mm 1.9. The build quality is nothing like a Leica of course but if I had all of the above for a Leica I would have to sell the house! Lens quality across the range is first class and that's the bottom line!

  6. #26

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    I have a Bessa T with the 21mm color Skopar (fantastic lens!). Love the camera!

    I just bought a Bessa R3A with 75mm Heliar and 90mm Apo Lanthar - very nice system! All the lenses are compatible with my M-3 Leicas.

    I bought all of this stuff from Stephen Gandy at Cameraquest - I recommend him.
    Tom Hoskinson
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    Everything is analog - even digital :D

  7. #27

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    I love my Bessa R. It is light. It has proved very reliable, and despite its slightly fragile reputation, it has stood up well to the tough life of a camera on wet and muddy archaeological sites. I particularly like the fact that it has a built in self timer. That might not matter much to others, and you can always add an accessory timer, but I use it a lot. We have a trick for taking high level vertical pictures down into excavation trenches by holding the camera up on a 5m boom and the self timer is vital here. We do it with the lovely 15mm lens on the camera and it works a treat.

    David.

  8. #28
    Ole
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    I've got a Bessa-L with 21mm lens, bought from Cameraquest. Shipping was fast, prices good, and the camera and lens are great!
    -- Ole Tjugen, Luddite Elitist
    Norway

  9. #29

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    I have an Olympus OM 2000, which I believe was also made by Cosina. Would this give me a good idea of the build quality of the Bessa R?
    I've just not been able to lay my hands on one (R) around here to check out.
    Charles

  10. #30

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    My general thoughts on the Bessa series:

    With each successive model, Cosina improved the build quality of the camera, using a bit more metal and less plastic. The doors on the L and R are made of plastic. The door on the L is quite flimsy, and the body is very lightweight and doesn't inspire confidence. However, the camera has proven to be a good performer, although I still have some concerns about the long term.

    The R added a rangefinder/viewfinder, and the meter display moved into the viewfinder. The camera seems a bit more sturdy.

    The top deck of the L and R are made of plastic and not a high grade of plastic, from what I could tell. The secondary rangefinder window on my R has some rough edges -- should have been smoothed before painting, I think.

    Still, neither top has cracked or been damaged, but then again I haven't dropped either camera.

    The R2 brought the M mount. I haven't handled the R2 for any length of time, although I have the Rollei 35 RF, which is a clone of the R2. The back and top deck appears to be made of metal, although I don't know if that was just the Rollei or if it also applies to the R2.

    Cosina also made two variants of the R2 (R2S and R2C) to accept either the old Nikon or Zeiss Ikon Contax bayonet lens.

    The Bessa is essentially an R2 with only a rangefinder but no viewfinder. So focusing and composing occurs in two windows, for those who want to recreate the Leica TM days.

    The R2a and R3a appear to be mostly metal. I haven't handled one, so I can only go by appearances.

    On the L, R and R2, the silk-screened markings are very susceptible to wear. I was very gentle with my R, but some of the markings for the frame selector still wore away. I've also read of instances where the name of the camera has worn away after a short time.

    The rangefinders of the Bessa cameras appear to be a weak point -- there are way too many reports of vertical and horizontal misalignment.

    For their cost, these are really excellent cameras. You can get a new R + 35mm lens for $400 (from CameraQuest). That's a tough deal to beat. The Zeiss Ikon body is $1,400, while the Leica M7 (body only) is $3,495 and the LHSA MP (body only) is $4,950.

    The Cosina Voigtlander lenses are probably the real steal here. Very good to excellent optically and mechanically.

    Here's my own writeup of the R. It hasn't been updated in three years.

    http://elekm.net/bessa-r/

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