No, that was because students were complaining it was too good for such a cheap film. ;-)
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Good news! Now if they start to make it in 120, that would be really great.
Jeff
Like others I am confused. My understanding was that the problem with one raw material only affected the 120 film which was discontinued because of this and not due to lack of demand and that no such problem existed with the 135 film which would explain why it is still available in the U.K. Of course it may be the case that the problem with 120 meant that curing the problem was not economically viable at the then current demand but Fuji changed its mind or found a solution that wasn't as expensive as it originally thought it would be in relation to the demand but either way this would lead to Fuji announcing a restart of the 120 which is not what was said to you by the Fuji representative.
If the raw material problem has been solved and it is good news if it has then I would have thought that the Fuji announcement would be that production of the 120 film will be re-started.
pentaxuser
I never knew 135 had been cut! Supplies have been OK here. Glad it's back as it's my favourite, but odd that I never knew it had gone away...
Seriously, this is like one of those things that goes on behind closed doors that you never really know about...who knew Neopan 400 was going to be discontinued? And then revived. To most people, it's going to just seem like they kept making it right along...in stock at B&H, et al, right now.
But great film, and good to hear. At least Fuji has now brought back two films...Velvia 50 and Neopan 400 135. But what about 120 format Neopan 400?
This is the crucial piece. Film photographers, especially in North America, have become conditioned to the extinction model. Once gone, it's gone forever. Gone along with the entire infrastructure that made it. And all of the personnel that ran that infrastructure. And all of the raw materials required by that infrastructure. And forever is a long, long time.
It's good to hear others may be thinking more progressively regarding film's future. And aren't hiding from any modest increases in market demand.
Ken
I've never tried Neopan 400 and I don't shoot 135. If this comes back in 120, what's it like? Is it a fine tabular grain like Acros or TMY2 (probably my 2 favourite films) or is it more of a Tri-X/HP5 kind of thing?
And while Fuji is bringing stuff back, how about bringing a few more of the C41 emulsions back in 120 (160C!) and 4x5.
It is NOT a "tabular" grain film like Tmax or Delta. It would be considered traditional but I found the look more in between the two, possibly leaning more toward a traditional film look. The film is super smooth, with a nice shoulder. I used it exclusively when it was available. Now I have to use two films to get by. I developed Neopan 400 in Xtol and Rodinal and it sang it both but in particular Xtol. Other die hard 120 Neopan 400 shooters will agree. It could be shot at box speed in Xtol or pushed one stop with fantastic results. Such an amazing film, I hope that it comes back. I'm down to 15 rolls left of my stash and I use it sparingly.