If someone has to discuss matters in a disguised manner, something is very wrong here. Rules or not, that is just plain wrong. Isn't this America? So the PC police are going to dictate what words can be used by people? Someone had better come to terms w/ the results of their actions. Seems self defeating to me. You can't learn anything by restricting people's vocabulary. That sort of thing never works.
Count me as one who would love to try it, but who doesn't have time to take a class or put enough time into it to really know what I'm doing.
This is quite timely. I started pulling together things to begin doing some emulsion making in early spring but as summer approached other things interfered. Now fall is here and winter is quickly approaching. Time to get back to it again. Maybe by next spring I will be ready to make some pictures.
I think I have most of the equipment so it is now time to begin picking up the materials. I will have to head back to the Light Farm to refresh my list.
I recently brought up a thread on LFF about coating Dry Plates by hand, thinking that since the subject hadn't really been addressed there would be great interest. It landed with a quiet thud. But, I wasn't surprised. Since learning to coat plates I've perty much lost interest in using commercial film, which has been to my benefit. I would have no problem making my own emulsions if I could justify the labor and time that is required. Cost wise it seems to be about the same a using Liquid Light or an equivalent.
Welcome to APUG! Would you consider re-starting your coating thread here? I do hope you also consider making your own emulsions someday. $-wise, homemade is a lot cheaper. Time-wise, of course you are right. Every step of d.i.y. does add time to a process.
I've come to think of all this as Slow Photography, done for all the reasons gardening and real cooking are done. I'm on the same page as MDR. Knowing your materials and process adds a whole new layer to the experience. Also nice to know that a paper or film will be available for as long as I want to make it, not for as long or short a time as some commercial interest decides they want to.
Pioneer: I hope you have a great winter of emulsion making!
Academically interested, yes. Have time for; hell no! I can barely keep up with developing and scanning the photos I take on film that I don't need to manufacture myself, and I'm waaaay behind on printing. Adding another very-time-consuming process step is just not going to happen, especially when it's not going to get me quality anywhere near as good as commercial film stocks.
I do quite enjoy reading the threads about it that pop up here occasionally though.
Probably one day I will try carbon printing to see what the relief looks like, but that's probably about the limit for me smearing goop on stuff.
Starting up a personal research-project on wet-plate these days, need to get the book first, then read, then figure out where to get the chemicals, after that, the materials (plates) and after that, the actual photographic equipment.
My impression is that wet/dry-plate is gaining popularity, specially for portraits etc (for potential buyers and clients).
A lot of the photographers I know, would like to try it out, but the biggest issue is getting hold of the chemicals in these days of "war on terror" in every country in the western hemisphere. :/
I just wish I had more time. At least then I could dive headfirst into the topic and maybe learn something cool and useful. But I don't have it. Can barely find time to process film anymore, let alone proofing and printing.