I guess I *have* been overlooking the obvious answer: it's still film. Bells and whistles aside, if you want it to look like film, you shoot film. How the camera feels and operates doesn't make it "almost digital". It just makes it modern.

Does someone have the answer to the "bright viewfinder" question? Is there a technological reason that viewfinders are brighter in film SLRs than in dSLRs? Or is it just a quality issue? (high end film SLRs with bright viewfinders can be had for cheaper than the equivalent dSLR).