You guys are both working for sub minimum wage, even when they order a couple prints. The only way to make this not lose money would be to go digital and preview on a laptop and make the prints they want from a dye sub printer on site before they leave. Get your money and part ways. No darkroom time, no time to take and process their order. Your materials easily eat up what you charge, especially darkroom costs.
If you are truly talented at this (more than the average wannabe portrait photographer), you could charge 3x as much no problem.
If you don't want to go that route, tell them film is getting expensive and you need $75 up front for film and processing, and the sitting is actually free. They will then have an understanding of what they are paying for.
Someone else asked about the negatives... The photographer keeps them. In a digital system, I'd have no problem sharing a set of full sized full quality jpegs as an alternative to a large print order. For film, nobody knows how to store or organize negatives like the photographer.
Last edited by jp498; 06-26-2010 at 07:37 PM. Click to view previous post history.