Exactly my method and mottot too. I scan all my negatives as an untouched negative using Silverfast software and HDRi.
Then I convert the file into 8-bit grayscale positive.
I rotate and crop as necessary.
I adjust tonality to make it look like a print would, to the best of my ability.
I dust spot.
I re-size.
I sharpen.
I sometimes add a bit of warmtone, which would look much like a vaguely selenium toned warmtone paper print.

It's basically all in the spirit of what a finished silver gelatin print would look like. The trouble is, my darkroom prints almost always look better, so there is a bit of a moral dilemma involved.

- Thomas

Quote Originally Posted by tkamiya View Post
My personal standard is, if I cannot do the same manipulation in darkroom, I won't do it in computer based editing.