I hope that the paper imperfections you saw were a random occurrence. Quite honestly the Foma paper is a good thing because it potentially could translate to a broader exposure to contacting printing by people that are intrigued by the process.
Originally Posted by Shawn Dougherty
In my very peripheral involvement of the project offering my assistance wherever I could to help out, I learned how complicated the process is to produce a sliver chloride paper let alone a modern quality silver chloride paper. Looking historically at this paper nearly every photographic paper manufacturer in the good old days had some form of this product in the market and as a result many formulas were developed and tweeked as a function of time. The introduction of variable contrast papers and improvements in making enlargements slowly reduced the silver chloride papers market until just Azo was left.
Where my respect for Lodima begins is where the sad story of POP ends.
POP did not have a "Michael and Paula" aligned with this product so we did not have a choice but to accept the news as the terminal condition it turned out to be. That is what makes Lodima so special.
I wish it was not as expensive as it turned out to be but when you bring a new product to the market from scratch, it is what it is. What would we all be printing with if M&P said "screw it"? Glad that we did not have to face that music.