I think it is time to invest time to the best colorful color system of 1950s Technicolor.

As Everyone remembers , this era films were excellent and ended at 1970s and started at 1930s. An Autochrome thread follower will find to easier to understand the concept and thinking out of box is easy.
There are many technicolor films even today but I am talking about recording three different R , G and B strips on to bw films and than imbibition these films at the lab to CMYK single print.

Now the big question , is it possible to do it today without running three different strips but may be taking 3 different shots with these filters and than seperate them to CMYK ? It is a slow photography but faraway cheaper and more successful than reinventing color screens .

Or digital postprocessing the RGB films and order a film print with laser ?

I think all was not about film but lighting the interior.

Lets talk about details , filters , their difference with todays products , their selection for better result , imbibition , spectrometry of that era cmyk films and everything.

Mustafa Umut Sarac

Istanbul