I think one of the simplest ways is in the choice between horizontal and vertical shots. Horizontal lends itself to sweeping, grand landscapes, where as vertical lends itself to more intimate, landscapes that flow and draw the viewer in.Originally Posted by colrehogan
For example, the work of Jack Dykinga (http://www.dykinga.com/product.html) seems dominated by horizontal shots and his choice of subjects reflects that as well - desert southwest, mountains - all grand subjects. Where the work of Joe Cornish (http://www.joecornish.com/) seem more dominated by vertical shots. Take a look at these two photographers and you will see the point I am trying to make.
For me, I tend to shoot a lot of horizontal shots, but I am actively trying to introduce more vertical shots into my work. This is a subject that I have given some consideration to. I am in the process of writing/developing an article about photographing the shoreline for my website; the primary focus of the article is how to introduce emotion to the subject of shoreline photography. I still have a lot of work to do on the article before it is done.
My .2c worth.