Thanks for the props.
I don't do alot of that type work anymore because there's not much money in it. I shot almost all the flikr work on a 20D when that camera was newish although I would shoot with a hasselblad alongside it sometimes. I would also shoot my FM2 as it was easier for me for that type work.
It's a great learning tool because outdoors at the worst part of the day it makes you really see light and how to manipulate it.
I was real green back then.
I do offer film packages for my portrait clients and try to push that but it takes a certain client that can see what WE all obviously see in a silver based workflow.
Most of my paying work these days is event work...