Quote Originally Posted by Andrew O'Neill View Post
When I had my piddly darkroom in Japan, I developed with just one 16x20 tray. I kept each solution in pitchers. Pour in developer, pour out developer, pour in stop, pour out stop, etc... What I like about tray development the most is the ability to play around with agitation regimes. Can't do that with drums.

I have also seen folks stack trays when faced with limited space issues. Being creative in overcoming obstacles is something we deal with before we build our darkrooms. Tray development scared the crap out of me initially until I saw Paula Chamlee personally demonstrate the technique. Particularly with large sheets it provides me with perfect results. I also learned that when you have limited holders and re-load on a trip and store sheet film, make sure that you put the exposed sheet film into the black plastic bags that the film came in so that you do not end up with unintentional exposure. Please don't ask me how I became familiar with this issue.