• 05-11-2011 12:13 PM #0
    Marco B
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    Some links to organizations involved in art conservation that you may find useful to explore:

    http://www.conservation-us.org/
    http://www.cci-icc.gc.ca/index-eng.aspx
    http://www.incca.org/
    http://www.getty.edu/conservation/
    http://www.campbellcenter.org/pages/resources.html

    And you may find this page revealing and handy, from the Watercolors page on the Handprint webpage:
    Doing your own lightfastness tests

    And especially the results of light fastness tests of specific coded pigments as summarized here:
    Summary of 100 common pigments: http://www.handprint.com/HP/WCL/palette1.html

    and detailed info here:
    Detailed summary of 750 pigments: http://www.handprint.com/HP/WCL/waterfs.html

    if you think the above test isn't relevant (it's about watercolor paint mainly), than realize that watercolor paints are actually paints without any significant amount of binder like oil, so almost pure pigment. Hence testing watercolor will at least give you a "worst case" result for the stability of the pigment involved and probably faster test results.

    Marco
    Last edited by Marco B; 05-11-2011 at 12:36 PM. Click to view previous post history.
    My website

    "The nineteenth century began by believing that what was reasonable was true, and it wound up by believing that what it saw a photograph of, was true." - William M. Ivins Jr.

    "I don't know, maybe we should disinvent color, and we could just shoot Black & White." - David Burnett in 1978

    "Analog is chemistry + physics, digital is physics + math, which ones did you like most?"
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