• 05-15-2011 02:22 PM #0
    RalphLambrecht
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    Quote Originally Posted by Ian C View Post
    Originally, all photographic papers and films were orthochromatic. That meant that they were partially blind to red light. Consequently, these materials could be used in a darkroom with dim red safelights ...
    True!

    Quote Originally Posted by Ian C View Post
    ... Later, films and papers were made sensitive to all, or nearly all, colors of light. These modern materials sensitive to all colors are called panchromatic. Panchromatic papers are somewhat insensitive to the amber-colored light passed by a Kodak OC safelight filter.

    The Kodak OC filter is the correct filter to use with panchromatic black-and-white papers. Black-and-white panchromatic films are too sensitive to use under any safelight in most cases.

    Just about all printing papers are now panchromatic and should be used under a relatively weak OC-filtered safelight. There are still a few orthochromatic papers from Europe, such as Foma that require a dim red safelight filter.

    In general, panchromatic papers are not safe under red filters and simple red bulbs generally don’t have the accurate filtering properties of a safelight and a Kodak OC filter.
    Ian

    There are no panchromatic papers (only film) unless you're are talking about direct-positive papers.

    OC filters have nothing to do with orthochromatic vs panchromatic. They are just a compromise between safelight protection and maximizing human visual sensitivity. OC filters are great for many modern papers with very limited red sensitivity (true orthochromatic papers). They are not so good with red-sensitive papers (Foma). A red safelight is always 'safer' than OC filtration, but not as bright to us humans as OC filtered light.
    Last edited by RalphLambrecht; 05-15-2011 at 02:39 PM. Click to view previous post history.
    Regards

    Ralph W. Lambrecht
    www.darkroomagic.comrorrlambrec@ymail.com[/URL]
    www.waybeyondmonochrome.com
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