Quote Originally Posted by brian steinberger View Post
After re-reading this thread it really got me thinking about what happens to our transparencies when it's time to print. Almost all of us are scanning these E-6 films now and printing either lightjet, chromira, lambda, inkjet.. etc. So any color cast or saturation differences between these films can easily be corrected for in P****S*** before printing. I could make Provia look like Velvia, or easily correct the blue cast of provia 400. So to me the choice is easy, I'm shooting Provia for its slightly lower contrast and I'll worry about everything else later.
Tinkering in a computer is no match for a properly-filtered piece of film. A lot can be done there, but even then, it is best to start with an ideal piece of film. Filtering properly balances the exposure on all three layers, which is the only way to get truly accurate color balance.