Despite all claims made about about push/pull processing, very few of the surviving E6 lines I've used recently are capable of consistent monitoring of processing times--the key to satisfactorily consistent results. Sad but true. I love shooting 120 E6 material(especially E100GX)but haven't gotten nice results from pushed Provia 400 in a very long time.

I'm not sure what Film-Niko's up to here but with the realities of hybrid workflow, Portra 400 makes my life way easier for not sweating iffy E6 processing.