My understanding was that he shot with a Leica, Tri-X, Rodinol, printed on Agfa Brovira Grade 6 (which they later started calling grade 5, but it was the same emulsion), and printed on Leitz enlargers with Leitz optics. I don't know his Rodinol dilution. I used to use it at 1:31, I'm thinking, in order that he not give himself too big a task with that very high contrast paper, he went with 1:50. At least this was what we talked about about after classes at SVA in whatever bar it was that was around the corner on 3rd Avenue, in 1978.