Two recent-ish prints from this lens (12x16in), in both cases trying very hard to conceal the fish-eye distortion. The more I use this lens, the more I realise how extremely "natural" this kind of distortion is, even for interiour architecture. In many ways, I prefer this to the stretched corners of an ultra-ultra-wide (think 110 or more) rectilinear lens.


(Mamiya RB67, Sekor-C 37mm, Ilford Pan F at ISO32)


(Mamiya RB67, Sekor-C 37mm, Ilford Pan F at ISO32)