Wow, I almost literally could not disagree more. To me they make a huge, incredibly effective point---something about the nature of "significant" events, and how much "significant" is a human concept that we project onto completely indifferent settings. The only one that doesn't work for me is "Berlin, 1945"---it's much changed from the original, but there's so much affective content left in the setting that it doesn't come off as mundane as the others.
I don't understand how it's possible to see this as "the 'erasing' of history", actually, because the images don't stand by themselves---the point they make is exactly about the importance of what's been erased. Can you elaborate on what you're thinking, a little bit?