This is one of the more bizarre photos I've ever taken, but I thought I'd share this rendering of a frame of Ektar 120 shot in hazy/blazing midday light in London (as evidenced by the clock and the shadows).

Who knows how this would print in a darkroom... my work is hybrid, but anyway. Just thought you'd all appreciate the slickness and effortlessness with which this film handles PRIMARY colors and NEON, and is quite capable of a rather "digital" look. :-)

I honestly love how blindingly ugly this picture is.

(Mamiya 6, 75mm.)