It's still not as saturated as a typical chrome. I personally detest the way so many digital prints and
web images have been ridiculously hyped per saturation. But at the same time, folks who have shot
color neg films in the past have gotten accustomed to a relatively muddy palette where every warm
neutral looks like a fleshtone, and crisp greens and yellows simply do not exist. But in your specific
example, the hybrid workflow probably has something to do with it. With Ektar you do need to be
careful with shadows going excessively blue, and when its best to use warming filters per color temp.