But there are real depth of field issues the bigger you get. Quite a different ballgame than contact
printing. Just how many of those tack sharp 11X14 negs are largely infinity subjects? Even with 8x10, the difference between f/45 and f/64 on a very large print can be significant. These are the kinds of logistical problems that someone moving up from smaller formats, even 4x5, aren't likely to
anticipate. But I truly wonder how long this big, big print fad is going to last. If it's like anything else, the museums will probably exhibiting only Minox contact prints the next decade.