If the negatives were developed to adjust to the light source a dichro/VC head would be the best. But enlarging is not that simple.
1. Most of us have many negatives with a range of negative densities. Some look better printed on a condenser and others print easily on a dichro head. MF negs printed on a condenser does not result in grain with my print sizes.
2. There are variations in enlarger ergonomics and quality. My favorite enlarger is a Leitz 1c, semi diffused light source.
3. My LPL 670 XL (condenser) has even illumination; producing a bright image on the baseboard. It weights less and easier to move than my 670 MXL dichro. The condenser avoids long print times when making large prints.
4. A dichro softens the edge of dust. One should use several non enlarger techniques to minimize dust issues. Eliminating dust reduces one dichro advantage.
5. Some images look better on my condenser head, more micro contrast in low tones with mid tones shifted up the scale a bit. That may help an image or may not.
6. Having flexibility to use a dichro or condenser on the LPL is useful, especially with graded paper. With the LPL modular design I switch heads leaving the carrier, baseboard and column in place.
Last edited by Richard Jepsen; 03-16-2012 at 10:35 PM. Click to view previous post history.