Anne Geddes, William Wegman and (the late) Thomas Kinkade are all "artists" in the same vein. Populist schlock masquerading as art. Well marketed schlock, but schlock nonetheless. They all are (or in Kinkade's case, were) technically proficient, but there's really no "soul" in any the work they've done.
Except that Anne Geddes isn't necessarily an American phenomenon. She's an Aussie living and working in New Zealand. Schlock is an international phenomenon.I had to revisit Anne Geddes's work. This stuff says a lot about America's taste in "Art".