Quote Originally Posted by Jorge
In other cases I have to "work" the image by making metering descisions that will affect the outcome of the negative and subsequently the print. A good example of this is my Convento de la Santa Cruz small hallway. I could have metered and develop this negative so that both the near and far had similar values, but I wanted an illusion of progresive light from dark to light, so I metered in a way that I would have those values in the negative.
Jorge, I really like the way your Convento de la Santa Cruz hallway turned out - your decision to make the light progressive in the image was an excellent one. Could you describe in more detail how you metered to achieve the end result? Thanks!