You can get much the same results by varying the films and film developers you use.
Right now I'm printing up a lot of old negatives. There's a horrible mix of films and developers they've been processed in: Neopan 400, Plus-X, Tri-X, FP4+, Tri-X 400, Tri-X 320, TMax 400, TMax 100, Acros, Foma 400, Foma 100, APX 100, APX 400, APX 25, Delta 3200, Delta 400, Delta 100, Kodak TMax 3200, even Lucky 400 and Efke 25/50/100. Processed in Edwal 12, Xtol, replenished Xtol, Pyrocat-HD, Pyrocat-MC, HC-110, Rodinal, DD-X, FA-1027, DK-50, Sprint, Neofin Blau, Diafine, etc... The result is - hugely inconsistent negatives, even in the same series, and instead of just needing 2-3 sheets of paper to nail a print, I need at least 4 sheets with this mess of negatives, and while it's a pain in the a$$ to go through this much paper to get a print, it IS in fact helping me become a better printer.
It is fun to print other people's negatives, especially if you're able to compare your efforts to somebody else's, and I've done that a fair amount, both for fun and hired. That too helped me become a better printer.
The lesson I learned from all this: Consistent use of the same materials IS better because it really removes a lot of headache come printing time, and the prints will be better once you really know your materials (which I gather takes a year or so of consistent use with lots of practice). If you're curious about other films, experiment with them on the side. Always have a go-to film and paper that you know well, and leave experimentation for fun stuff you can easily re-shoot in case you screw up.