I contact the film as in Nick's suggestion but I photograph a white matboard in the shade, lens set to inifinity, the film exposed to +4 or +5. I don't suggest letting sunlight strike the target.
I contact the film as in Nick's suggestion but I photograph a white matboard in the shade, lens set to inifinity, the film exposed to +4 or +5. I don't suggest letting sunlight strike the target.
"The difference between a very good print and a fine print is quite subtle and difficult , if not impossible, to describe in words."
---AA (The Print)
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