Work-flo and cash-flo certainly would dictate this kind of process. I should send a well kept negative into a lab I had printed back in 1991 or 92 and compare the difference.
Might Apug be a good place to collect a list of true optical and soup labs still in existance? This might help those skilled lab workers to keep their jobs and keep the art alive too. I fear the number of individuals who know how to actually work film in the labs that handle commercial or art printing has dropped a lot.
Even my favorite B&W custom printer gal I use to make large and or museum quality prints for me has taken a send job to keep her 2nd generation lab open. (plug for her, Chris @ www.theimageinn.com )

Adv Reply