You are well on the road to enlightenment.

Some of the best photographic work today is a hybrid mixture.
Irving Penn would be using any and all means of perfecting his prints.. he was obsessive in his experimentations.

Though using an all analoque method of producing platinums, silver or other processes it totally acceptable.
If I could lug a 20 x24 film camera around and make contacts directly from the original with contrast reducing and expansion masks on top I would also think be hard to beat.
This is just not practical for me, to consider physically and financially, also even though I use an 8x10 camera, I prefer looking at larger prints so I do need at some times to go the hybrid route.


I have tried discussing the merits of the hybrid process here and basically most of the APUG community does not want to hear about it and that is ok with me. I am not sure how far this thread will get with this dialog about hybrid .



Quote Originally Posted by Mainecoonmaniac View Post
As with most philosophical questions in life and in photography, I don't expect any "right" answers. But I've been feeling conflicted lately. I've seen beautiful platinum prints by Irving Penn and other old time photographers and I know that older prints are purely an analog process. I've just started to explore the world of alternative process that require contact printing.
Just recently within the past 10 years, the world of computers and inkjet prints have fueled a Renaissance of platinum and palladium printing. I personally don't think there's a difference in quality of a print done with a well made digital neg and an analog neg. Correct me if I'm wrong.

I'm mainly a film shooter but also shoot with a digital camera. I have some beautiful shot in digital that I'd like to print in palladium and some analog negs that I have to scan to enlarge for larger palladium prints. My gut feeling is not to reject an image because It's shot in digital nor be a slave to the analog process by contact printing original negs.

I'm posting this thread to start a dialog about the philosophy of platinum/palladium printing and the hybrid methods.