I love this site because of the passion people have for traditional film processes. I imagine there are many people who have shot 10's to 100's times more film than myself.

Nevertheless, I get the feeling based on reading many threads here and on photo.net over the years, and based on modest experience with various developers myself - that convienence is the number one factor that people use when selecting their developer for B&W film.

I feel the pyro developers (Wimberly, Pyrocat, PMK, etc) are superior in what they do (with traditional silver emulsions, not with T Grain films) in normal to high contrast situations.

But the liquid/syrup developers are very convienent (HC 100, Rodinal, Diafine) and that's why we use them instaed.

agree or disagree?