Quote Originally Posted by blansky View Post
I don't see where projects enter into the equation one way or the other.

The whole style silliness has nothing to do with what you shoot but how you shoot.

And that should evolve over time.
And I am not catching your point. What should evolve over time, and why?

Projects are, to me at least, a way to focus my work. I try to show something that I feel is important, or convey a certain emotion. If I don't pay attention to subject matter and am selective, how do you accomplish this with a body of work? It doesn't have to be very complicated either. Example: I like to photograph things of transportation, done the old way. So, old cars, airplanes, and trains. It's fun and it describes a time where certain mechanical and engineering challenges were at a different stage. Another example: The Midwest culture and heritage around the grain industry. There was a time when this was of vital importance to a large portion of the world, supplying food in times it was needed. Etc. This project aspect of my work positively defines how I shoot, what I shoot, how I print it, and how I combine it with other photographs to make them speak as loudly as possible.