When the Smithsonian wanted the ultimate documentary photographs of their collection of hominid skulls, David L. Brill did them using 4x5 Sinar and an amazing lighting setup of his own development. His photographs have become the end-all of such images and I strongly doubt they will be rephotographed ever again. The films can be scanned for that particular archival effort. (Almost every photograph published of homind skulls for the past several years are his. Nice niche.)

The subject of D. Brill's lighting would be worthy of an article in itself: dozens of tiny mirrors on flexible stalks so that every shadow was illuminated and every highlight squelched/balanced.