Three colour prints and two B&W produced after I 'cured' the safelight problem. The one with the motorcycle was the one which caused the initial concerns, at least now I have grey limestone walls instead of pink/brown ones The filtration was 15m/17.5 Y on a LPL enlarger. Film was Fuji 200 Superia, the print on Fuji Crystal Archive paper was developed in Kodak Ektacolour RA4.
The one with the two boats was processed exactly as the 1st print.
The one with the Old stone bridge was on Agfa Vista 200 (Possibly cloned Fuji 200 anyway) Filtration was 20M/22.5Y. Paper and chemicals as above.
The two B&W prints were taken on Kodak CN400. Filtration was 10m/10y and the paper and chemicals as above.
The camera was a Nikon F4 using a Nikon 28/85 for pictures 1,2,4&5. No 3 was a Sigma 15/30EX @15mm
Last edited by BMbikerider; 08-30-2012 at 03:28 AM. Click to view previous post history.