The computer and Paint Shop Pro is a good tool for analyzing images for both camera analysis and print analysis. I use one quite a bit in those contexts and nothing more. Every b&w print I have made with the well-known printer has stimulated my desire to get it done in the darkroom instead.
Originally Posted by Bruce (Camclicker)
I did one happy task: I made separation prints of a quickly arranged still life and used the computer to produce the full color print. It was quite satisfying but even with the computer registration was difficult and time consuming but maybe not as much as dye transfers. I’ll gladly post the images if you are interested.
Sometimes I have used the PSP program to produce histograms for toning analysis and correction. E.g., I found that Ilford Galerie and Kodak Polymax RC II really are green prior to selenium toning. Lately I’ve been playing around with making b&w targets for film tests with the CRT. Is there enough interest in this sort of technology to elicit an article?
Along the same lines, I use spreadsheet techniques to produce HD curves from density data I obtain with my digital spot meter – maybe another article? I submitted a draft to PT and they accepted it, but I don’t think they will ever publish it – not digital enough :-). Is there interest here?
Truly, dr bob.