Brian, I'm with ic. If nothing else, the Galvin allows indirect movements and Horseman technical cameras don't.

You've shifted your requirements around enough to convince me that you don't really know what you need (as opposed to would like) to be able to do and that you don't understand view cameras very well. The best cure for the first is to get a view camera and learn to use it. Then you'll know what you need. The best cure for the second is reading. Steve Simmons' Using the View Camera or Leslie Stroebel's View Camera Techique are what you want. Get both.

Your question, posed as "Here's what I think I want to do, what's the best camera?" has been asked many times. Even now getting a view camera and stepping up to LF (I know, you want roll film formats only) isn't a tiny investment to be made casually so people contemplating the move think very hard, badger old hands, agonize ... before buying. This is perfect normal. I'm not slamming you, I'm reminding you that your path is well-trodden.

Nearly every beginner replaces its first view camera by the end of its first year. The only way to know what aspects of a view camera don't suit is to use it.

No beginner believes this, every beginner thinks it is informed and self-aware enough not to blunder. We've all done the same. Though we knew what we were doing, blundered.

So get something plausible that fits your budget, learn to use it, and then sell it to buy a camera that suits you.