The movements on the Horseman VH-R work best with slightly longer lenses, e.g. 90mm and above, due to the clamshell design of the camera. Monorail cameras with dedicated wide-angle bellows are more suitable for wide-angle lenses when you need lots of rise, assuming the lens has adequate coverage. Given that you're experienced with LF camera operations, your choice of camera will depend partly on what types of lenses you're most likely to use. I used lenses ranging from 65mm to 210mm on my Horseman, and had a dedicated RF cam for my 150mm. All had sufficiently large image circles to make full use of movements available.

The series of photographs from Pleasant Hill, Kentucky (e.g. Ceiling Light and Drawers, Dormer Abstraction, etc.) were taken with the VH-R handheld, due to their restriction on tripod use indoors. I was able to brace the camera against various surfaces to keep the images sharp. Also a number of photographs from along Eagle Creek. Sharpness has never been an issue with the camera/lenses, although I'm not an ultimate sharpness junkie.