Adox MCC tone and contrast are similar to Agfa Multicontrast Classic. I remember how much people lamented the demise of MCC. Adox MCC 110 has that Agfa slight warm/black pencil lead tone. 110 is a fast paper with short toe and brilliant whites. Works well with thin negs developed for a condenser light source. MCC 110 paper surface is very glossy; think Kentmere Fineprint.
My limited experience with Fotokemika Varycon was the unique paper surface was nice and a thicker negative was required for full tonal balance revealing strong blacks. Oh well, its now gone.
Fomabrom Variant IV MG does have an Agfa MCC 118 like paper surface. The paper has reduced curl similar to EMAKS Graded. I am looking at one image printed on two different papers; one Ilfobrom Galerie and the other on Fomabrom Bariant IV MG. The Galerie print has sparkle, more mid tone separation, brighter facial tones, deeper blacks and over all higher contrast. The Fomabrom has a semi-matt creme-yellow paper base. The Fomabrom paper tint is similar to Fomatone MG Classic and (new in 2009) Oriental WT emulsion. The old Oriental WT was similar to Bergger WT.
Fomatone MG Classic and Fomabrom Variant IV MG have a warmer paper base than Ilford WT. Ilford WT has richer tonality. The ADOX Fine Print Variotone Premium in KRST will cool off low tones while leaving mushroom high tones. Variotone Premium's ability to tone reminds me of Bergger or Forte Polywarmtone.
Looking at the print Fall 12 Freestyle Photo Supply Catalog, www/freestylephoto.biz, I don't see Oriental or Slavich listed.
Last edited by Richard Jepsen; 09-21-2012 at 11:43 AM. Click to view previous post history.