Just watching the video - an early example of that needlessly austere backing music so prevalent in photography documentaries now. Interesting though.
Has Tony Ray Jones had more recognition simply because his work is obviously socially concerned? That is, British critics only understand journalistic work. Because where artistry of the frame is concerned, I see more in Moore's work. 'More in Moore', SIGH.
I definitely see some of Robert Adams in Moore's pictures too, speaking of American influence.