Yesterday I visited with a friend who years ago converted his workflow to digital. He is a skilled digital printer and has several gelatin silver prints in the National Portrait Gallery, Washington DC. Looking at his B&W inkjets and gelatin silver prints I was struck at the rich tonality of fiber B&W paper. I wish I could get the shadow detail he does but I love the analog workflow & look of B&W silver prints viewed in the hand. Viewing the comparison I became more energized to print in the darkroom.
That brings me to GALERIE, a premium neutral tone paper.
Has anyone been able to warm up GALERIE or semi-split tone it?
Last edited by Richard Jepsen; 10-10-2012 at 10:53 AM. Click to view previous post history.