Quote Originally Posted by MaximusM3 View Post
Eddie, yes, but we are talking about the end product here, which is a print. What becomes rarer and more collectible? Film negatives? Buyers are not interested in negatives, or Instagram files. They buy prints. To make the statement that "film photography" may attain fine art status because of the proliferation of digital is really incorrect. Film photography doesn't guarantee quality or marketability and cannot be, in itself, "fine art". I don't believe that being a film photographer elevates anyone, or the art, to a higher status. There is A LOT more going on than just that. A great image, on film (or digital) skillfully printed on silver or various alternate processes is where intrinsic value is placed upon, and not whether it was recorded by film or a sensor, a 35mm camera, a giant 11x14 or with any crazy expensive lens. Some here may not agree but it's really a choice of whether we want to live in a dream world or reality.
Generally I would agree with you. The client is purchasing primarily the end product, so any process that produces that desired end product is "relevant." I think what eddie and the others are implying is that analog photography is becoming a "desired" medium not because of the materials used of themselves, but because of the worker wrestling with the disappearing materials, rising costs, and relative difficulty of obtaining, and maintaining a darkroom. Perhaps those who choose to work this way are becoming perceived as people who can be trusted to produce important and collectible work because they choose to struggle with these limitations and excel regardless. Don't get me wrong, junk is still junk and fine work is still fine work. This is a lot like the "blue sky" a business creates over time. It's those intangibles of integrity, diligence, craftsmanship, customer service, value, etc. that lead a person to do business with company X and not company Y. Not every business has it or can create it on demand, but it does have monetary value.